Plustek OpticFilm 8200I-SE

Kurulumu çok zor ve sıkıntılı. Beraberinde verilen yazılım Internet bağlantısı olmayan mekanlarda çalışmıyor. Optik performansı da fiyatına kıyasla düşük.

Buen escaner, la calidad de imagen obtenida es muy buena. Los tiempos de escaneo son aceptables para mi. Sin embargo siento que la tecnología es un poco obsoleta: el cable es USB tipo B a USB tipo A y SiverFast 8 viene… en un Disco Compacto en pleno 2023!! He tenido que comprar un Chablé adicional USB tipo B a USB C y descargar el software desde el sitio web de SilverFast, lo cual no es muy intuitivo que digamos y complica las cosas al usuario final. No obstante, estoy satisfecho con la compra y debo decir que he obtenido mejores escaneos que usando mi cámara de 25mpx y una lente macro para escanear. Este escaner ha logrado que la fotografía analógica me vuelva a motivar!

Excellent quality and performance machine, SilverFast programme easy and intuitive.

Owners of large archives of colour slides or negatives may be aware that they will eventually fade. Digitising them is practical means of preservation even if deterioration may have started but not drastic. Black and white films are effected more slowly. The "Plustek 8200I SE OpticFilm 8200iSE Film Scanner - Black" is a digitiser for 35mm colour and B&W films. SilverFast 8 SE for Windows is included although v9 is available. Carriers for 35mm strips (up to 6 frames) and four 2 x 2 mounted slides are included; those for formats such as half-frame 35mm, 126 and 110 are no longer available as optional extras. The scanner is about the size of two 1Kg bags of sugar placed end to end and quite lightweight. Space will be needed for the carriers' travel. It initially appeared that its power supply was missing. A report was made to the seller, Fuzion, who immediately responded and offered to replace it until they discovered the hiding place which they had twice missed! Excellent service from a UK company. Although the software is provided on CD for Mac and Windows, it can be downloaded or, when possible, copied to a flash drive via any computer with an optical drive. Silverfast should be installed first followed by the driver package. It is then possible to enter user details and the serial number from the CD case. Its many demo movies may be viewed pre-registration. Once fully installed, updates and upgrades are offered. Depending on the choices made, updates start at €49. Once registration is confirmed, there is an option within two months of purchase for a free like-for-like update (8 SE to 9 SE in this instance). Controls are limited to a power button and two mode selectors on the front panel. Power input (UK and Euro adapters are provided) is at the rear as is its USB output. Other than the mode buttons, all other functions are controlled in software. Series 8200i includes infra-red capabilities to identify and locate dust on the surface of the film or slide; with their locations noted, they can be later collectively removed. The alternative is to digitally retouch spot-by-spot, or use a 'healing brush' or equivalent within a photo-editing package although potentially time-consuming. Scanning a colour slide or negative is complex as there are numerous variables. There is a considerable learning curve needed to become familiar with the various settings and their effects for the best results. Although some scans may need minimal correction, others may need several changes to most settings; that takes time! Silverfast can take-on much of the work but scans can be saved as TIFF files (equivalent to RAW format) to maximise the saved data and detail for later correction in graphics software if desired; if initially saved as a JPG file, some of the detail will be lost and only recoverable if re-scanned. Post-correction, the images can then be saved to relatively small JPG files and the TIFF deleted when no longer needed. TIFF files can be 70 Gb each if scanned at 7200 dpi although 2400 dpi is ideal for high quality A4s printed at 300 dpi and the TIFF files then smaller. A faded slide can have a strong cast, often pink, blue or green. Changes to individual channels, curves, contrast and brightness with possible changes to black and white points may recover much of what was lost although it can take time as continuous reassessment and adjustment is likely. Experience may allow some settings to be roughly pre-set with expected approximation to ideals. While Silverfast offers a considerable variety of adjustability, most graphics software can do more with many supporting plug-ins for additional effects. Silverfast supports numerous scanners, flatbeds included, but those supported each need a dedicated version of Silverfast that will need to be purchased and that can prove expensive when several are used. There is an alternative software that claims to offer several advantages, not least internal drivers for all supported models, a Linux version and its low price for a Pro version which alone supports any combination of slide and flatbed scanners for those who cannot install or use Silverfast. A comparison chart for the versions of SilverFast 9 is available and lists all the new and improved functions where applicable. SE Plus may be a worthwhile and relatively inexpensive upgrade for many users while Ai offers considerably more but with the highest fee (up to €249!). Advanced users may gain considerable benefits if able to justify the greater outlay. The software/hardware combination is very competent and capable if the owner or user is prepared to put in the effort. Familiarisation with the software controls and awareness of the changes to settings and their effects will pay dividends. The package is not cheap but can pay for itself by preserving slides and negatives that may otherwise be eventually and permanently lost. Irreplaceable family photos (snaps, school photos etc) will need a suitable photo scanner to preserve them; some include a version of Silverfast.

As for the scanner, it’s excellent. Blows any flatbed scanner out of the water. I highly recommend it. Photo quality is really high, and it can even take a poorly exposed photo and make it look good. The software is trash though. It gets the job done and has some interesting features, but it’s hard to use, confusing, ugly and constantly crashes on a brand new Mac.