---
product_id: 15402640
title: "Casino Royale Soundtrack"
brand: "david arnold"
price: "$U5570"
currency: UYU
in_stock: true
reviews_count: 21
url: https://www.desertcart.uy/products/15402640-casino-royale-soundtrack
store_origin: UY
region: Uruguay
---

# Casino Royale Soundtrack

**Brand:** david arnold
**Price:** $U5570
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Casino Royale Soundtrack by david arnold
- **How much does it cost?** $U5570 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.uy](https://www.desertcart.uy/products/15402640-casino-royale-soundtrack)

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## Description

.com               Now in its fifth decade, the James Bond film series has outlived the Cold War concerns that spawned it--not to mention the acting careers of a Sean Connery replacement or three. Indeed, its musical sensibility has often been the cycle's most reliable artistic link across the decades. While the arrival of latest Bond Daniel Craig inspired the producers to forge a long-overdue prequel plot gambit ("How Bond became Bond") for their Casino Royale redux, composer David Arnold's fourth Bond score helps bridge the past while subtly pushing it ever forward. The album's absence of a pop-song title single (though the melody of the Arnold/Chris Cornell-composed "You Know My Name" is interpolated into the underscore) isn't terribly shocking, considering the waning fortunes of recent efforts in the genre. But other traditions continue, with the full-bodied score here subtly infusing the elegant spirit of original Bond maestro John Barry into Arnold's own mix of brooding tension-builders and the dynamic, brassy rhythms of his signature action cues. The latter even gingerly cross over into the synth-charged club milieu of Eric Serra's GoldenEye score, a sensibility that was reviled as sacrilege by Bond aficionados a decade ago but that's since become a staple of mainstream film scoring. Arnold brings it all full circle with the muscular coda "The Name's Bond...," a lovingly authentic, barely revamped workout of the epochal Barry/Monty Norman theme that anchors the series to glories past. --Jerry McCulley

## Images

![Casino Royale Soundtrack - Image 1](https://m.media-amazon.com/images/I/71QCEgpWDCL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Relive the film through its strong dark / romantic soundtrack
  

*by M***A on Reviewed in the United States on November 21, 2008*

About the Soundtrack:This is quite literally a movie soundtrack, meaning it features the background music from the film "Casino Royale (2-Disc Widescreen Edition)".  The tracks on this 74 minute album are in the same sequence as the tracks appeared in the film.  Since the tracks are in sequence, many of them blend well into each other - which is nice if you'd like to listen from start to finish.Many reviewers correctly point out that Chris Cornell's "You Know My Name" (the theme song) is not included.  The album itself says this as well.  Don't worry.  The theme song (sans lyrics) inspired much of the soundtrack in the film, and you will get to enjoy Cornell's song or Monty Norman's original James Bond Theme in multiple tracks, including:- Blunt Instrument  (my personal favorite on the album)- Trip Aces- Miami International- I'm the Money (the introduction of Vesper Lynd)- Aston Montenegro- Dinner Jackets (where you'll enjoy a classic 007 entrance theme mix)- Bond Wins It All (towards the end of the track)- The End of An Aston Martin- Fall of a House in VeniceAnd naturally the James Bond theme makes a full on appearance in "The Name's Bond ... James Bond".Overall, Arnold has composed one of the strongest soundtracks I've heard (as a John Williams fan I think this is something of a strong statement).  The chase tracks (such as Miami International or Dirty Martini) are just as intense (and long) as the filmed scenes, while the romance tracks (such as Vesper) are equally as moving.  In fact "Vesper" reminded me of some of the romance themes from some of the early Sean Connery films.  Her theme continues in "City of Lovers".About the Composer:Grammy winning composer David Arnold had scored three previous Bond films prior to Casino Royale.  He was very familiar with taking another artist's opening track and blending it with the classic Bond Theme in a manner appropriate with each major scene or act.  (Note: He has since also scored the sequel film "Quantum of Solace".)He has also scored a number of other popular films from the mid-1990s to present.  Notable films include Stargate (Ultimate Edition),Independence Day (Single Disc Widescreen Edition), and A Life Less Ordinary.

### ⭐⭐⭐⭐ 







  
  
    Arnold's Fourth Bond Foray His Most Interesting
  

*by G***S on Reviewed in the United States on November 14, 2006*

David Arnold is now second only to the great John Barry with his score for Martin Campbell's "Casino Royale," his fourth Bond foray which is easily the most interesting of his efforts in this musical area, especially since it helps introduce a new 007, Daniel Craig.  And it all works wonderfully well.  This is perhaps Arnold's best Bond score since his first effort, "Tomorrow Never Dies," which was easily comparable with some of Barry's best work, and this is no faint praise.  This is a complex and clever score, not just simple action-adventure music, which has to do many things on several levels.  The film and of course the music do not simply introduce a new actor, they must reintroduce a character, in this case James Bond as he actually becomes 007.  And Arnold's music is a large part of this.  Clearly, the most problematic, and intriguing, element of this score involves the traditional "James Bond Theme."  When should it emerge?  Decisions were made to save the full rendition for the big finish. We only hear hints (note "Blunt Instrument") of what ultimately becomes the full blown theme at the end.  When it finally appears, it comes as something of an announcement..."no need to fear James Bond is here," finally.  Arnold's music also reflects one of the two great loves of Bond's life, and the shattering end of that first love, and his themes for Vesper do this quite well.  Here Arnold has opportunity to deal with both the romantic and tragic as Barry did in "On Her Majesty's Secret Service."  Like his music for "Tomorrow Never Dies," there are also varied nods to Barry, but they are firmly couched in Arnold's now distinctive style which really comes through in numerous cues but are especially fun in "Blunt Instrument."  We are missing the more traditional gun-barrel introduction musically, but it still works, and so does Arnold's music for the precredit sequence (Arnold has always done well with these).  The title song is fair enough and it provides a musical anchor for the entire score, but inexplicably it is not on this recording.  Everything else in this score works on the soundtrack disc and Arnold's music is a fundamental part of the film. When we finally hear Daniel Craig announce that he is "Bond, James Bond," the music adds the necessary exclamation point.  007 could not really exist without the two.  And it also appears that James Bond, Daniel Craig, and David Arnold will return.  Good news indeed.  Solid production (fine sound, and over 70 minutes of music), but only modest packaging by Sony.

### ⭐⭐⭐⭐ 







  
  
    Casino Royale Soundtrack Review
  

*by R***L on Reviewed in the United States on January 11, 2007*

The music on this album fits in very micely with the James Bond films.  The best thing about this soundtrack is the outstanding rendition of the James Bond Theme-perhaps the best since the original.  The only negative is that for the first time, the theme song is missing from the album.  This is surprising since every other Bond Soundtrack has this element included.  I suspect this is just another ploy to get people to spend more money for this missing piece.  David Arnold is by far the best composer to work on the Bond movies since John Barry.

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*Product available on Desertcart Uruguay*
*Store origin: UY*
*Last updated: 2026-02-10*