---
product_id: 4487968
title: "SM35 Performance Headset Condenser Microphone for Hands-Free Audio, TQG Connector for use with Wireless Systems - Bodypack Transmitter Sold Separately (SM35-TQG)"
brand: "shure"
price: "$U10282"
currency: UYU
in_stock: true
reviews_count: 13
category: "Shure"
url: https://www.desertcart.uy/products/4487968-sm35-performance-headset-condenser-microphone-for-hands-free-audio-tqg
store_origin: UY
region: Uruguay
---

# Phantom power optimized for high gain and low noise Unidirectional cardioid pattern for feedback-free clarity Lightweight, low-profile wireframe for all-day comfort SM35 Performance Headset Condenser Microphone for Hands-Free Audio, TQG Connector for use with Wireless Systems - Bodypack Transmitter Sold Separately (SM35-TQG)

**Brand:** shure
**Price:** $U10282
**Availability:** ✅ In Stock

## Summary

> 🎙️ Own the stage, hands-free and flawless.

## Quick Answers

- **What is this?** SM35 Performance Headset Condenser Microphone for Hands-Free Audio, TQG Connector for use with Wireless Systems - Bodypack Transmitter Sold Separately (SM35-TQG) by shure
- **How much does it cost?** $U10282 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.uy](https://www.desertcart.uy/products/4487968-sm35-performance-headset-condenser-microphone-for-hands-free-audio-tqg)

## Best For

- shure enthusiasts

## Why This Product

- Trusted shure brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Built to Endure:** Legendary Shure metal construction ensures durability through intense gigs and long rehearsals.
- • **Hands-Free Freedom:** Flexible gooseneck boom lets you position the mic perfectly while keeping your hands free to perform or present.
- • **Stage-Ready Clarity:** Rejects off-axis noise with tight cardioid pickup for pristine vocals even in loud environments.
- • **Comfort Meets Control:** Lightweight headset with locking windscreens reduces plosives and breath noise, so you stay clear and confident all night.
- • **Seamless Wireless Integration:** TQG connector designed exclusively for Shure wireless bodypacks, delivering reliable, interference-free audio.

## Overview

The Shure SM35-TQG is a professional-grade, unidirectional cardioid condenser headset microphone engineered for active performers and multi-instrumentalists. Designed to connect seamlessly with Shure wireless bodypacks via a 4-pin TA4F (TQG) connector, it delivers crystal-clear vocal reproduction with excellent off-axis noise rejection. Its lightweight wireframe and flexible gooseneck ensure comfortable, customizable placement for long-wear use, while locking windscreens minimize breath and wind noise. Built with Shure’s renowned durability and precision, the SM35 is ideal for loud stage environments, presentations, and hands-free performances requiring reliable, high-quality audio.

## Description

Product Description The SM35 Performance Headset Condenser Microphone gives multi-instrumentalists the freedom to express themselves without sacrificing sound quality. A tight, unidirectional cardioid polar pattern provides excellent rejection of off-axis sound sources to prevent feedback and signal bleed onstage, whether in use in small clubs, large installations, or arena tours. From the Manufacturer People won't listen if you don't sound good, but you'll capture their attention and keep it when you use the Shure SM35 headset microphone. Whether you're singing, giving a presentation, or showing a product in a hands-on demonstration, the comfortable SM35 gives you crisp, clear vocal reproduction while reducing outside noises. The included windscreen cuts down on breath and wind noises, and the flexible gooseneck makes it effortless to put the mic right where you need it. When you need hands-free capability from your Shure wireless system, get the Shure SM35 headset microphone.IMPORTANT NOTE:- TQG version REQUIRES a Shure wireless body pack system or the RPM626 in-line amplified to work properly. - The TQG requires an in-line pre-amp (RPM626) or a Shure wireless system to achieve both power and gain. - The SM35-TQG is only compatible with Shure body packs or devices with a TA4F connector. The headset locks and does not comes in and out when used with a device with a TA4F connector.

Review: Best Choice For Studio or Performing Musician - Some of the reviews had me a bit nervous about ordering this -- somebody didn't like the sound. But, really, I couldn't be happier with it. Its a phantom power microphone, but that is fine with me because I run it to my Peavey Mixer which has a Phantom Power Button (at first I thought I blew it up because when I first hit the phantom power button, the mic came on loud and then dead silence. Well, I just didn't push the Peavey button down far enough and it came right back up). Anyway, mics that run off of phantom power seem to have a great deal more gain than those that don't. So this SM35 has a lot of gain to play with. And the response was crystal clear. I don't know what that other reviewer was thinking of, unless he just had a muddy setup that he was running into. another thing I like about this SM35 is that you can wear it in several ways. I tried with the loop around my neck and that seems to work. But I now wear it on my head, along with my headphones... yes, it may be crowded up there on top of my head, but I have no problem wearing both. I use the SM35 in my Music Practice, which can go on for hours, and so, yes, the little adjustable pressure pad on the end of the head loop can begin to dig in and get uncomfortable, but then I found that I can cope simply by moving the placement of the SM35 off to the side or a bit up or down, and then one can compensate by repositioning the adjustable boom going to the microphone element (my usual First Position is to place the adjustable pad just above the top of my left ear and to position the right side of the Head Loop to the top of my cheek bone just in front of my right ear. When, after about an hour, I feel the adjustable pad on the left 'digging in' and causing some discomfort, then I lift it up in position by less than an inch while pulling the right side of the Boom just under my cheek bone -- very comfy! And that usually lasts me until I'm so popped that I drop). Oh, the little cord that comes off the head boom section from its side was tweaking my ear, and so I used a loop of string to fasten that little cord to the top middle of the boom from where it can fall down my back without bumping into my ear. Not enough of a problem to deduct a Star. Now, moving on ... As I said, the mic has a lot of gain to play with, and so you do not have to have it very close to your mouth. I position it off to the side to keep from picking up Nose Blast. Even with the Breeze Protector on the end covering the microphone element, if the breath exhalation coming from out of your nose is in line with that microphone element, it will come through loud and clear, like somebody 'blowing' into a microphone. But I have no problem bending the element out of the way of my Nose Snort and still being able to adjust the microphone element boom for good singing quality. Now, if you are wondering whether you should get a head boom microphone like this in the first place, but you are resisting because you fear not having enough dynamic control over the microphone for studio work or for sensitive stage performances, well, don't worry about it. When you need the kind of control that you would have with a hand held microphone, well, its easy enough to reach up and grab the flexible-adjustable boom and to work it like a hand microphone. I've done it. some songs require a full baritone (covering Leonard Cohen or Johnny Cash) and I am more like a tenor, and so I pull the microphone in real close and do a breathy baritone, and when I'm done, I just instantly twist it back to where it was before. No Problem. Oh, now that I think about it, there is something to get used to. whenever you decide to walk off your 'spot' you have to disconnect. I am already used to taking my Head Phones off, so it isn't much of a problem remembering about the head boom mic. With the SM35, you simply disconnect from the XLR connector. Everything else can stay in place. Oh, and there is the additional setup required for using the SM35 instead of just keeping a Microphone on a Stand somewhere. There is something of a procedure for putting it on. That involves putting the head boom on your head, and then running the light cord guide clip to the back of your shirt collar or wherever, and then plugging that light cord into the little but heavy preamp (bullet proof heavy -- that little thing weighs a lot. If you were to catch a cat fish half that heavy, you'd take a picture of it)that clips onto your belt or waistband (if you practice in your pajamas or underwear), and then finally you plug in your XLR Cable (not included) into that. It takes a bit more than a minute. Taking it all the way off, requires the reverse process. Now, I recommend disconnecting the little but heavy preamp from the cord and storing it separately, because, well if you decide to store the head boom section with its light cord by hanging it somewhere, well, that dangling preamp would be quite a pull on the little cord all the time. You know I was wondering why the little preamp is so heavy, and I decided to guess that the Engineers at Shure were getting Line Hum Noise from the earlier prototypes and just kept adding metal shielding until all the Electronic Noise Interference went away. They did a good job, because electronically, that SM35 is as silent as the grave, adding no additional noise to whatever is in your Sound System already. So, yes, going from regular Microphones to this head boom will require a few additional duties and require some small additional increments of time. But the upside of having a Head Boom Microphone is that, while performing, IT IS ALWAYS THERE and ready to go. Being a Musician with a regular mic on a mic stand, well, if you are playing an instrument, it is REALLY difficult to position for both your instrument AND the mic stand, or the microphone boom or whatever. With a regular microphone, you always have to watch it to make sure it doesn't creep away, or that you don't bump into it. And all while you are trying to play an instrument. So nothing is ever just right -- you are either somewhat ignoring your Instrument, or you are somewhat ignoring the microphone. But this head boom microphone is ALWAYS THERE and you can set it up for just the right gain and position for 98% of the singing you will do, and it is so unobtrusive that it is easy to forget you're wearing it. After working with it for a month now, I can't really understand why so many performing musicians still use those 'ordinary' microphones ... they have never worked with Head Boom microphones and simply take all of the aggravations of the ordinary microphones for granted. Oh, another thing! How many performing musicians have gone on break only to come back and find that their microphones have been stolen... even entire mic stands disappear! Well, let's see if anybody can steal a boom microphone right off the top of your head! anyway, no buyer's remorse here.
Review: Higher clarity than a PGA31, slightly uncomfortable. - I bought this as a replacement for a Shure PGA31 microphone that I'm using with a BLX4 wireless system. This one seems to have more off-axis sound rejection, since I wasn't hearing nearly as much crowd noise through my microphone. I also felt like it was clearer and had more headroom. My P31 would often saturate when I was singing in my upper range. I never heard this one do that. My s's also seemed more crisp. I wore it for a 4 hour bar set, as I was previously doing with my PGA31. This got really painful towards the end of the night, and I ended up pulling down my hat to put the pad underneath my hat for some padding. My P31 is pretty old, so it might be more formed to my head. I don't remember that one ever hurting though, but I wasn't typically playing 4 hour gigs back when that was new. Overall, this was a good upgrade for my PGA31.

## Features

- This microphone is compatible with Shure wireless bodypacks (e.g. BLX1), and connects to the body pack via 4-pin TA4F (TQG) connector.
- Wireframe headset fits securely and comfortably for active performers and multi-instrumentalists
- Tight, unidirectional cardioid polar pattern rejects signal bleed and feedback for use on loud stages and behind floor monitors
- Flexible gooseneck design allows for optimized placement that further improves source isolation
- Lightweight and low-profile form enables comfortable, long-wearing use
- Locking snap-fit windscreens tame plosives, breath, and wind noise for clean and intelligible sound
- Tailored frequency response refined for clear, crisp vocal reproduction
- Legendary Shure precision engineering for durability and performance
- Also in the box: 2 - Windscreens, and 1 - Headset Clip

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00IVPFZAG |
| Audio Sensitivity | 35 Decibels |
| Best Sellers Rank | #2,689 in Musical Instruments ( See Top 100 in Musical Instruments ) #14 in Wireless Headset Microphones & Systems |
| Color Name | Black & Gray |
| Customer Reviews | 4.4 4.4 out of 5 stars (809) |
| Date First Available | March 7, 2014 |
| Frequency Response | 20 KHz |
| Global Trade Identification Number | 00042406325820 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 6.4 ounces |
| Item dimensions L x W x H | 3.2 x 7.6 x 6.4 inches |
| Item model number | SM35-TQG |
| Manufacturer | Shure |
| Material | Metal |
| Material Type | Metal |
| Microphone Form Factor | Microphone Only |
| Number of Channels | 1 |
| Power Source | PHANTOM POWER: All condenser microphones require phantom power to operate. Please refer to the User Manual for more details on power requirements. |
| Product Dimensions | 3.2 x 7.6 x 6.4 inches |
| Signal-to-Noise Ratio | 78 dB |
| Size | 157.12 cubic inches |
| UPC | 042406325820 |

## Product Details

- **Brand:** Shure
- **Color:** Black & Gray
- **Compatible Devices:** Shure wireless bodypacks
- **Connectivity Technology:** Wireless (Bodypack Sold Separately)
- **Connector Type:** TA4F (4-pin mini XLR)
- **Included Components:** 2 Windscreens, 1 Headset Clip
- **Model Name:** SM35
- **Polar Pattern:** Unidirectional
- **Recommended Uses For Product:** Singing
- **Special Feature:** Lightweight

## Images

![SM35 Performance Headset Condenser Microphone for Hands-Free Audio, TQG Connector for use with Wireless Systems - Bodypack Transmitter Sold Separately (SM35-TQG) - Image 1](https://m.media-amazon.com/images/I/41DomFY8QML.jpg)

## Questions & Answers

**Q: This looks exactly like the model for fitness instructors, yet all reviews look like musicians - it's model number matches as well? Fitness use?**
A: The SM35 is not specifically designed for fitness use as it does not offer the type of sweat/water protection that the SM31FH offers.  The reason musicians use the SM35 over the SM31FH is because it has a larger and much higher quality microphone capsule which offers better sound quality compared to that of the SM31FH.

**Q: If the mic is wireless and I buy a body pack transmitter, is there a base station needed? If so which one?**
A: It depends on what type of a system you are looking for.  Shure offers numerous wireless systems and the SM35 headset microphone is compatible with most.If you want to purchase the entire system with the SM35 already included, you can look at:BLX14R/SM35: http://www.shure.com/americas/products/wireless-systems/blx-wireless-systems/blx14r-sm35GLXD14/SM35:http://www.shure.com/americas/products/wireless-systems/glxd-digital-wireless-systems/glxd14-sm35QLXD14/SM35: http://www.shure.com/americas/products/wireless-systems/qlxd-digital-wireless-systems/qlxd14-sm35If you already have a Shure body pack, then you will need to buy the corresponding receiver to use it with.  With BLX receivers/body packs, be sure to have matching frequency bands i.e. H8, H9, H10, etc.Separate components receivers:BLX4BLX4RGLXD4QLXD4Separate component body packs:BLX1GLXD1QLXD1

**Q: Does the wired version of this mic require phantom power? if so, then what powers it when connected to usb icicle?**
A: Yes, this does require phantom power. I almost sent it back, thinking it didn't work, then I pushed phantom power button and it came alive. The description of the Icicle says "It's even got 48V phantom power for those power-hungry condenser mics." So you should be good to go.

**Q: Is there diffetens size on this mic becouse i bought it but it looks was designed for a baby it doesnt fit my head and mic cant reach to my mouth?**
A: You know it goes around the back of your head, right?  Not over the top?  I was thinking that may be the issue.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Best Choice For Studio or Performing Musician
*by L***H on January 7, 2015*

Some of the reviews had me a bit nervous about ordering this -- somebody didn't like the sound. But, really, I couldn't be happier with it. Its a phantom power microphone, but that is fine with me because I run it to my Peavey Mixer which has a Phantom Power Button (at first I thought I blew it up because when I first hit the phantom power button, the mic came on loud and then dead silence. Well, I just didn't push the Peavey button down far enough and it came right back up). Anyway, mics that run off of phantom power seem to have a great deal more gain than those that don't. So this SM35 has a lot of gain to play with. And the response was crystal clear. I don't know what that other reviewer was thinking of, unless he just had a muddy setup that he was running into. another thing I like about this SM35 is that you can wear it in several ways. I tried with the loop around my neck and that seems to work. But I now wear it on my head, along with my headphones... yes, it may be crowded up there on top of my head, but I have no problem wearing both. I use the SM35 in my Music Practice, which can go on for hours, and so, yes, the little adjustable pressure pad on the end of the head loop can begin to dig in and get uncomfortable, but then I found that I can cope simply by moving the placement of the SM35 off to the side or a bit up or down, and then one can compensate by repositioning the adjustable boom going to the microphone element (my usual First Position is to place the adjustable pad just above the top of my left ear and to position the right side of the Head Loop to the top of my cheek bone just in front of my right ear. When, after about an hour, I feel the adjustable pad on the left 'digging in' and causing some discomfort, then I lift it up in position by less than an inch while pulling the right side of the Boom just under my cheek bone -- very comfy! And that usually lasts me until I'm so popped that I drop). Oh, the little cord that comes off the head boom section from its side was tweaking my ear, and so I used a loop of string to fasten that little cord to the top middle of the boom from where it can fall down my back without bumping into my ear. Not enough of a problem to deduct a Star. Now, moving on ... As I said, the mic has a lot of gain to play with, and so you do not have to have it very close to your mouth. I position it off to the side to keep from picking up Nose Blast. Even with the Breeze Protector on the end covering the microphone element, if the breath exhalation coming from out of your nose is in line with that microphone element, it will come through loud and clear, like somebody 'blowing' into a microphone. But I have no problem bending the element out of the way of my Nose Snort and still being able to adjust the microphone element boom for good singing quality. Now, if you are wondering whether you should get a head boom microphone like this in the first place, but you are resisting because you fear not having enough dynamic control over the microphone for studio work or for sensitive stage performances, well, don't worry about it. When you need the kind of control that you would have with a hand held microphone, well, its easy enough to reach up and grab the flexible-adjustable boom and to work it like a hand microphone. I've done it. some songs require a full baritone (covering Leonard Cohen or Johnny Cash) and I am more like a tenor, and so I pull the microphone in real close and do a breathy baritone, and when I'm done, I just instantly twist it back to where it was before. No Problem. Oh, now that I think about it, there is something to get used to. whenever you decide to walk off your 'spot' you have to disconnect. I am already used to taking my Head Phones off, so it isn't much of a problem remembering about the head boom mic. With the SM35, you simply disconnect from the XLR connector. Everything else can stay in place. Oh, and there is the additional setup required for using the SM35 instead of just keeping a Microphone on a Stand somewhere. There is something of a procedure for putting it on. That involves putting the head boom on your head, and then running the light cord guide clip to the back of your shirt collar or wherever, and then plugging that light cord into the little but heavy preamp (bullet proof heavy -- that little thing weighs a lot. If you were to catch a cat fish half that heavy, you'd take a picture of it)that clips onto your belt or waistband (if you practice in your pajamas or underwear), and then finally you plug in your XLR Cable (not included) into that. It takes a bit more than a minute. Taking it all the way off, requires the reverse process. Now, I recommend disconnecting the little but heavy preamp from the cord and storing it separately, because, well if you decide to store the head boom section with its light cord by hanging it somewhere, well, that dangling preamp would be quite a pull on the little cord all the time. You know I was wondering why the little preamp is so heavy, and I decided to guess that the Engineers at Shure were getting Line Hum Noise from the earlier prototypes and just kept adding metal shielding until all the Electronic Noise Interference went away. They did a good job, because electronically, that SM35 is as silent as the grave, adding no additional noise to whatever is in your Sound System already. So, yes, going from regular Microphones to this head boom will require a few additional duties and require some small additional increments of time. But the upside of having a Head Boom Microphone is that, while performing, IT IS ALWAYS THERE and ready to go. Being a Musician with a regular mic on a mic stand, well, if you are playing an instrument, it is REALLY difficult to position for both your instrument AND the mic stand, or the microphone boom or whatever. With a regular microphone, you always have to watch it to make sure it doesn't creep away, or that you don't bump into it. And all while you are trying to play an instrument. So nothing is ever just right -- you are either somewhat ignoring your Instrument, or you are somewhat ignoring the microphone. But this head boom microphone is ALWAYS THERE and you can set it up for just the right gain and position for 98% of the singing you will do, and it is so unobtrusive that it is easy to forget you're wearing it. After working with it for a month now, I can't really understand why so many performing musicians still use those 'ordinary' microphones ... they have never worked with Head Boom microphones and simply take all of the aggravations of the ordinary microphones for granted. Oh, another thing! How many performing musicians have gone on break only to come back and find that their microphones have been stolen... even entire mic stands disappear! Well, let's see if anybody can steal a boom microphone right off the top of your head! anyway, no buyer's remorse here.

### ⭐⭐⭐⭐⭐ Higher clarity than a PGA31, slightly uncomfortable.
*by B***N on January 21, 2025*

I bought this as a replacement for a Shure PGA31 microphone that I'm using with a BLX4 wireless system. This one seems to have more off-axis sound rejection, since I wasn't hearing nearly as much crowd noise through my microphone. I also felt like it was clearer and had more headroom. My P31 would often saturate when I was singing in my upper range. I never heard this one do that. My s's also seemed more crisp. I wore it for a 4 hour bar set, as I was previously doing with my PGA31. This got really painful towards the end of the night, and I ended up pulling down my hat to put the pad underneath my hat for some padding. My P31 is pretty old, so it might be more formed to my head. I don't remember that one ever hurting though, but I wasn't typically playing 4 hour gigs back when that was new. Overall, this was a good upgrade for my PGA31.

### ⭐⭐⭐⭐ Perhaps An Unusual Situation
*by L***T on March 8, 2023*

I am a true believer in Shure products, especially its line of wireless headset mic systems. I feel regretful in having to return the Sure SM35 headset. Its sound quality, weight and comfort are outstanding. My unique problem is a mismatch between its ergonomics and my use of a Seydel Gecko Harmonica Holder in conjunction with the headset mic. My older Shure wireless headsets are the less-expensive PGA31 and the equally-priced SM31FH. They have worked fine in conjunction with the Harmonica Holder, with the length of the flexible boom and the mic tip working within the tight space between mic and harmonica holder. The SM31H cable, however, is a bit short for a waist-worn wireless belt pack. Moving to the SM35, its mic is a 1/4 inch larger in diameter than those of the other units, resulting in the SM35's mic rubbing or bumping into the harmonica rack. While an excellent product in its own right, its ergonomics are unsuitable for my performances. Therefore, I must remain with the PGA31 or SM31FH, with an extension cable applied to the latter.

## Frequently Bought Together

- Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, TQG Connector for use with Wireless Systems - Bodypack Transmitter Sold Separately (SM35-TQG)
- Shure BLX1 Bodypack Transmitter - for use with BLX Wireless Systems, Receiver Sold Separately | H9 Band (BLX1=-H9)
- Shure SM31 Fitness Headset Condenser Microphone with Moisture-Repelling Hydrophobic Construction for Workout Instructors, TQG connects to Shure Wireless Systems (Bodypack Transmitter Sold Separately)

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*Product available on Desertcart Uruguay*
*Store origin: UY*
*Last updated: 2026-02-09*