Blue Microphones Compass Premium Tube-Style Microphone Broadcast Boom Arm with Internal Springs, Desktop Clamp and Built-in Cable Management for Recording, Gaming, Streaming, Podcasting - Black

Rating: ⭐⭐⭐⭐⭐ The Logitech Compass Premium Tube-Style Microphone Broadcast Boom Arm is a game-changer for creators, and it has transformed my recording, gaming, and streaming experience. The build quality is superb, and the tube-style design with internal springs gives it a professional look and feel. It’s robust and built to last, which is crucial for daily use. The built-in cable management is a thoughtful touch. It keeps my setup tidy and eliminates cable clutter, ensuring a clean and organized workspace. The desktop clamp is secure and stable, and the microphone arm is highly adjustable. It allows me to position my microphone exactly where I need it for optimal audio capture. Whether you’re a content creator, streamer, or gamer, the Logitech Compass Boom Arm is an invaluable addition to your audio setup. It brings convenience, stability, and a touch of professionalism to your recordings and broadcasts. Highly recommended for those looking to elevate their audio game!

I originally purchased the Rode PSA1 Swivel Mount Studio Microphone Boom Arm in 2012 and used it with my Blue Yeti microphone. It was very reliable. Earlier this year I was looking for a new boom arm and saw this and decided to try it out. Here is my comparison of both products. I am using the Blue shock mount and a pop filter in addition to my Blue Yeti microphone. Installation Installation for both products is very easy and quick in that you just clamp it to the edge of your desk. Between the two I would judge the base of the Blue boom arm to sturdier than the Rode. You screw in the shock mount on end of the boom arm, screw in the Blue Yeti into the shock mount and the clamp the pop filter to edge of the shock mount and twist it until it is in front of the microphone. I was able to attach the Rode boom arm to the back side of my desk so it will be out of the way when not in use. I was not able to do that with the Blue boom arm because I just could not get it to adjust to being in the right position when recording so I had to attach it to the side of my desk. This means it will get in my way when not in use as I move things around on my desk. Overall for installation Rode wins because it is not in the way when not in use. Adjusting Placement For Rode, you just grab it and move it where you need to have the mic placed for recording. Once you get it placed you have to let go and hope that it does not automatically start to retract due to the weight. Sometimes I have to position it, wait for it to rise, reposition it and wait for it to rise and reposition it until eventually, it stays in place. For Blue boom arm, it has three joints that you can rotate to move the mic into position. They all have a knob that you twist to loosen for it to move and when you have mic positioned then you twist it to lock it in place. Adjusting these knobs can be a challenge. But once you have the mic in place it will not move. I do 4 hours of podcast recording every Sunday and it stays in place the whole time. Overall for quickly positioning the Rode wins but you have to fidget with it. If you want the positioning to be permanent and stay there then the Blue wins by a wide margin. Cable Organization The Rode boom arm comes with some velcro straps that you can use to gather cables and then put the velcro strap over the boom arm. You get two straps to attach the cable on both halves of the boom arm. Blue, on the other hand, includes a slot built into the boom itself for the cables. Since it is built into the boom itself the cables are completely hidden from view. If you are on air when recording this is an extremely nice feature because the cables do not distract from your image on the screen. For Rode, the cables are very visible on the screen. Overall Blue wins this hands down Overall User Experience I had my original Rode boom arm for 5 years. Eventually, it got to the point where it sagged from the weight and I had to purchase a second one in 2017. I have had the Blue arm for less than half a year. I was satisfied with the Rode arm so much that when I needed to replace it I purchased it again and didn't even bother comparing any other product. When I started a new podcast as well as recording training videos I decided to get a new setup so it was consistent in color. (My original Blue yeti mic was silver and shockmount was black). I got a new black Yeti mic, black shock mount and realized they made a boom stand. After reading the reviews I decided to invest in it. I have been beyond pleased with this setup compared to the Rode. Knowing everything that I know now if I had to start over again I would purchase the Blue boom arm over the Rode hands down.

I've owned this arm for almost three years now. PROS 1. Looks great. 2. Smartly designed cable management channel works very well! 3. Silent! Great for if you need to make small adjustments and don't want it to get picked up on mic (and you will need to make tons of adjustments). CONS 1. Fails in its primary task: Holding your microphone up. 2. Incredibly difficult to tighten. 3. Is not sturdy enough to hold to one position, requiring LOTS of micro-adjustments. I've owned this microphone arm for a very long time, and since the beginning it has more or less failed to work adequately, but it has only gotten worse as time has gone on. It used to be that it would sag about an inch after adjusting it, but would "settle" into place, so you could adjust it slightly too high and let it slowly sag into a position you actually found workable. Not a good time, but I could live with it. In order to get it to even lock into position this way you'd have to break your fingers trying to tighten it into place, because the "hand tightened friction hinges" as they call them are very uncomfortable to tighten down, and you'll have to tighten them 3x further than you'd expect to get them to function. There's a screw on the underside that you can adjust, but it is imprecise to say the least and does not seem to make much of a difference past a certain point. I've used this mic with a Blue Yeti, an Audio Technica AT-2035, and a Shure SM7b, and it fails to hold any of them up adequately unless you leave the first joint sticking straight up. I've heard other people say it's the middle joint that fails, but for me it's the longest/strongest one at the base of the arm. If I leave it sticking straight up, it will hold, but this position really only works for my Blue Yeti, and even then I don't find this useful for Streaming, maybe a podcast where you don't need to be on your computer much, but having a huge mic like a Yeti coming in from over the top of my head blocks all view to my monitors and is a pain. With the Shure SM7b, this isn't even a workable position, so I need it to stretch out to come in below my mouth, and from this angle the leverage makes it impossible to stay in place. This has only gotten worse with time, and at this point despite the $100+ investment, I have to throw this mic arm in the trash because it won't hold up my microphone at all anymore, and no matter how hard a tighten it down, it will immediately sag until it drops onto my tabletop. Completely useless to me. It's a beautiful mic arm and is very tempting to buy, but pass on this one.

After going through my second "Neewer" type mic arm, I decided to get a good quality arm that will last a long time and that I won't have to replace every 8 months. This mic arm is very sturdy and looks great. It's easy to setup and clamped onto my desk with ease. I am able to position it exactly where I need it, and having it show in the webcam video while I'm streaming isn't bad because it looks so good. I'm using it with an Audio Technica AT2020, so you don't HAVE to be using a Blue Mic with this arm. I love how it hides the XLR cable that runs from my mic to my USB interface, and is just cleans up the whole deal that much more. Before, I had to zip tie the cable to the Neewer arms. This is great and definitely think you should pick it up if you're in the market for a mic arm. I think this arm looks better than the RODE PSA1 arm and I like it a lot. The joint tensioners are easy to use but do require some strength to get as tight as they can be. Great arm and I give it 5 stars.

My Boom Arm does its job well in holding up my microphone where I want it, but it takes a lot of turns on the hinges to get the tension right. At first I even thought that I might break it by turning it this much. Sometimes you even have to adjust it again after a few weeks because it loosens up over time, but its not that much of a hassle to me. Another thing is that the gold screw end where the microphone attaches seems to corrode easily, and mine seems to be rusting up, and it has only been a few months since I had this, so be sure to wipe it whenever you touch that part. But after setting it up to how you want it to be, it works well.

Okay. When you receive this product, go to YouTube and find the video of the guy that tells you how to set this puppy up (TITLED: How to tighten the Blue Compass Boom Arm with ease), because this boom does NOT come with any helpful instructions AT ALL. It was absolutely confusing and I could see why people complained about this boom not staying put or lifting/moving. If you don't set it up correctly (and how could you when there are no instructions), it will absolutely do ALL these things. Now... It WILL feel like it's fighting you the whole damn way... But stick with it. Once you put your microphone on, it will stay put. My boom holds my Yeti up perfectly. It's oh so sturdy. Not like those coil arms that will weaken with time. This is heavy duty stuff. So sleek and professional looking. Worth every penny.

When I originally purchased this, I had the Blue Yeti already on a desk stand or pedestal, and it picked up a lot of vibration and typing sounds, so I wanted to get a arm instead. Right off the bat, I could not mount the arm to my desk. The overhang on my desk is only about an inch (3rd photo) so not enough material for the base clamp (2nd and 4th photo). Mounting it to a secure, level surface is essential. I picked up a table where I could clamp the stand too. I had used a nearby plant stand, but it was unstable and the microphone would swerve 180 degrees. So that being solved, you must attach your mic first and loosen all of the joints, as well as a screw plate at the end of the arm that you insert in the base. There are videos on this and I recommend you watch them. Once you get the mic and arm mounted, following the videos got me in the right place. My biggest issue is the tightening mechanism of the actual clamp. See 2nd photo. I don’t know what they call this, but when you turn that to tighten, it can hit up against what you are fastening the clamp to. It doesn’t have adjustable sliding bar that you can grab onto and turn it in a tight spot. You would want that for a desk mount. If I had another inch of overhang, I would have tried to mount it on my desk, but even then, the tightening knob is fixed so you can’t tighten it in a small area, where if the handle you hold were adjustable, it would. You need about 3” of overhang to get the base on securely and it has to be level. Once I got over that hurdle, and watched the videos, I am very happy with the mount. I can move the mic where I need it and it stays put. I like the sleekness of the arm, and the ability to hide the cord. I bought a longer cord than what came with the Blue Yeti. I loosened the two joints on the arm. I loosened the screw at the base of the arm (not the base it self) before I inserted it, and then I moved the mic into position and then tightened the two joint turns. If you have a table type of desk, this should work fine. My desk didn’t provide enough grab space, therefore requiring me to get another table. That being said, the weight of the stand started to tip over that table, so I added some counterweight. If you have a desk like mine, you might want to have a bookshelf nearby, or a printer stand, something suitable for you to affix the clamp provided.

Pros: - Great build quality - Provides a stable and sturdy boom arm for microphones - Suitable for professional broadcast and recording setups Cons: - Design requires attaching the microphone upside down - Perception of paying more for the brand name - Cheaper alternatives offer comparable functionality Summary: The boom arm offers excellent build quality and stability, making it a suitable choice for professional broadcast and recording setups. However, there are some design limitations and cost considerations that may impact its overall appeal. One of the advantages of this boom arm is its superior build quality. It provides a stable and sturdy support for microphones, ensuring minimal vibrations and improved recording quality. The durable construction enhances longevity, making it a reliable choice for long-term use. However, a drawback is the design requirement of attaching the microphone upside down. This arrangement may be inconvenient and counterintuitive for some users, especially when using specific microphone models like the Baby Bottle Spark SL. It can lead to difficulties in positioning the microphone and may affect the user experience. Additionally, some users may feel that they are paying more for the brand name with the Blue Microphones Compass boom arm. While the brand is renowned for its quality, there are cheaper alternatives available on the market that offer comparable functionality and performance. In summary, the boom arm provides excellent build quality and stability. However, the design limitation of attaching the microphone upside down may be a significant concern for some users. Furthermore, the perception of paying more for the brand name may make the boom arm less appealing, especially considering the availability of cheaper alternatives that offer similar functionality. TL;DR: The boom arm offers great build quality and stability for professional broadcast and recording setups. However, the design requiring the microphone to be attached upside down may be inconvenient for some users. Additionally, the perception of paying more for the brand name may make it less appealing, especially considering the availability of cheaper alternatives that offer similar functionality.

Il miglior braccio per microfono in circolazione, costruito con materiali ottimi. Caratteristica fondamentale la possibilità di poter passare il cavo dentro guide presenti. Il prezzo è alto rispetto alla concorrenza ma ne vale assolutamente la pena perchè il livello è superiore alla media.

افضل ستاند جربته صراحه و الى الان استخدمه رهيب مره

A pesar de que existen mas opciones con un costo mas accesible, este Brazo definitivamente luce mejor esteticamente hablando; se siente de buena calidad y funciona sin problema, tengo un Blue Yeti X edicion World of Warcraft y no tengo ningun problema lo sostiene perfecto. Al principio no supe como acomodarlo pero despues vi el tornillo de la base y ya pude moverlo libremente, super sencillo, y de buena calidad, recomiendo que si para ti la estetica es importante esta es la solucion

Worst boom arm I’ve ever had; if it wasn’t for the fact I was away for business I’d return this thing. Each point tension release doesn’t work. No matter how much I tighten each point the arm keeps shooting up.

Blue's Boom Arm is one the nicest looking boom arms on the market as of right now and it's made out of quality materials unlike the more inexpensive options. Since this is a fair review of the product I do just want to put a disclaimer that this boom arm isn't for everyone, or the best option for every mic setup. This arm is mainly for heavier mics and worked really well for my Blue Yeti X. Pros: -Standard, sturdy desk mount (clamp) -Free, almost frictionless design for the swing motion of the arm. -Has little diagrams on the arm itself in a form of a sticker for basic info -Matte black paint job -Feels like they put some premium materials into it -Tension is highly adjustable. -Cable management routing system Cons: -The cable routing system won't fit thick cables as it seems very narrow. -Expensive -The value for this mic is only achieved for a certain amount of microphones -Branding on the arm. (Don't mind it, but I know some people do)