

desertcart.com: How to Make Animated Films: Tony White's Complete Masterclass on the Traditional Principals of Animation: 9780240810331: White, Tony: Books Review: Look over the shoulder of a master animator - I've studied animation techniques from Tony White's two previous books, but this one is the best one yet from this master animator from England. He provides an "over the shoulder" view of animation techniques, and lets you look over his shoulder on how in-betweens are done, how generic walks are created, and so on, as if you are a journeyman learning from the master. He starts off with a 10 part foundation course, with exercises for each section, and moves the journeyman animator into more and more complex animation techniques. I've got a long way go to myself in terms of my animation skills but Tony White sure has helped me along. The accompanying DVD is also very good as you get to literally watch him draw in-betweens in traditional 2D animation style, with pencil and paper! Tony also provides some lecture material on doing walks, both generic walks and walks with personality. His teaching style seems so patient and nurturing, it must be wonderful to takes courses directly from him. This book provides the next best thing! Review: ) What I liked most about this book (and I didn't get a ... - I bought this book to help me teach an Animation class for 9-12 year-olds, which I was unfamiliar with. (I had only experience with stop motion.) What I liked most about this book (and I didn't get a chance to read the whole book) was that in the first chapter, White explains all of the materials he uses and why, and debates/preferences about some materials. He even tells the reader what stores to find certain materials at, and links to online businesses. I felt the book on the whole was helpful, but this--for me--is what separated it from The Animator's Survival Kit (also a good book).




| Best Sellers Rank | #592,657 in Books ( See Top 100 in Books ) #188 in Digital Art #230 in Game Programming #652 in Art of Film & Video |
| Customer Reviews | 4.7 4.7 out of 5 stars (61) |
| Dimensions | 7.44 x 1.16 x 9.69 inches |
| Edition | 1st |
| ISBN-10 | 0240810333 |
| ISBN-13 | 978-0240810331 |
| Item Weight | 2.31 pounds |
| Language | English |
| Print length | 477 pages |
| Publication date | May 12, 2009 |
| Publisher | Routledge |
B**Y
Look over the shoulder of a master animator
I've studied animation techniques from Tony White's two previous books, but this one is the best one yet from this master animator from England. He provides an "over the shoulder" view of animation techniques, and lets you look over his shoulder on how in-betweens are done, how generic walks are created, and so on, as if you are a journeyman learning from the master. He starts off with a 10 part foundation course, with exercises for each section, and moves the journeyman animator into more and more complex animation techniques. I've got a long way go to myself in terms of my animation skills but Tony White sure has helped me along. The accompanying DVD is also very good as you get to literally watch him draw in-betweens in traditional 2D animation style, with pencil and paper! Tony also provides some lecture material on doing walks, both generic walks and walks with personality. His teaching style seems so patient and nurturing, it must be wonderful to takes courses directly from him. This book provides the next best thing!
J**D
) What I liked most about this book (and I didn't get a ...
I bought this book to help me teach an Animation class for 9-12 year-olds, which I was unfamiliar with. (I had only experience with stop motion.) What I liked most about this book (and I didn't get a chance to read the whole book) was that in the first chapter, White explains all of the materials he uses and why, and debates/preferences about some materials. He even tells the reader what stores to find certain materials at, and links to online businesses. I felt the book on the whole was helpful, but this--for me--is what separated it from The Animator's Survival Kit (also a good book).
C**8
It does not learn how to animate digitally
Very complicated and written for someone who wants to learn how to animate with a pencil
S**C
Great reference for the animator
I love the Focal Press animation series of books. I haven't been disappointed with any of them. Not only is this a good book for a student, it's also a good book to be implemented in the classroom. At the end of each demo there is an assignment. The dvd is also a great bonus for those who learn better by watching. A great addition to my animation library. Highly recommended.
R**N
Good read
Very informative great read answered questions about the animation process and hard work that entails. I would recommend this book for beginners.
C**Z
sdfghm,
I can't afford to go to an art college, so this is really good for just starting. the quality of the dvd isn't great but it helps.
J**N
The Teacher in the Pages
The book is the last of a trilogy, of sorts. Of course, you don't really need to get to the first two, but White recommends that you do. He comes across as very knowledgeable in the field, giving you tips and tricks to maneuver around seemingly small things (like how you flip through your pencil test), getting the minutiae out of the way for you to focus on the more important aspects of animation. I only have two problems with the book so far. One is that the writing comes across as very slow. I think the book could have moved through the lessons much faster without so many descriptions of the artistic process. Instead, and I think this is reasonable, given that many of us artistically inclined folk are visual learners, White could have included more pictures and diagrams for the reader to follow. The second problem, and perhaps he addresses it in his previous books- I haven't even been all that thorough with this one- is that White doesn't address the technological issue: what programs are best for putting the animation together and how to set up a capture station (you know, scanning your drawings, photographing them...). The book is purely a guide that takes you through the stages of understanding the form and flow of movement in animation. It's incredibly helpful in forming you as an animator, but you may have to seek out other details elsewhere.
J**N
Do you want to make cartoon's? This is the book.
After reading this book, you just need to practice. All topics about, how to make animated films, is clearly explained here.
T**A
Delivered on time:), book is it great condition considering it was bought used and from a local Amazon shipping company. Overall I’m more than happy with this purchase!! I personally appreciate Tony White and his lessons, he makes his writing easy to comprehend for beginners mostly looking to do non-digital animation.
P**A
One of the best books for starting with Animation and its Concepts including all the Principles in depth. Its really all about how to make movies from start to end till its distribution. All sort of tips and guidelines you get on what to concentrate and what to avoid. How to create stories, prepare for pre-production and move to production stage till post-production. It actually teaches about hand drawn animation which is extremely necessary if you really want to progress in today's digital 2D & 3D animation. If you can create animation just by hand, you can do it at best anywhere you like. Remember John Lasseter (the Director of Pixar Animation Studio)? He knew only hand drawn animation but so well that he could do it in the best way in 3D animation using 3D application packages that Ed Catmull had created. So buy this book and read it with all your interest if you really want to be an Animator. It has lots of useful exercises and a video tutorial CD too. Its totally worth it. :)
C**A
An absolute must have for all levels of animators. You will not regret buying this book. It has helped me better understand the required process of frame by frame animation be it for traditional 2D animation or Digital animation techniques.
A**L
Great book Inspiring and learning book for animators
R**S
good
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