The Hero with A Thousand Faces (The Collected Works of Joseph Campbell)

The key to understanding this classic book, and getting the most from it, is to realise that it's actually all about YOU. Campbell wrote it for YOU. Just think about the title for a start. YOU are the hero and your hero's journey is all about finding your inner life, your divine spark, and being engulfed and re-born out of it. This is what all the world's great hero myths were really talking about, symbolically, and Campbell brilliantly draws together the universal themes and parallels running through all the world's mystical and religious traditions, all of which were concerned (when understood metaphorically instead of literally) with this marvellous "death and resurrection" of the human psyche - from human animal to divine incarnation. It's a heroic deed which we all have the potential to achieve, and this book vibrantly and beautifully recollects many anicent stories that have drawn Mankind's imagination toward this very real transformation, through the use of the oldest and best means at our disposal - symbolic storytelling. This book is not just for the student or teacher of mythology or comparative religion, it's for everyone on the spiritual path. In fact, this book speaks directly to you wherever you are right now in life, whether on that path or not. Simply brilliant, and possibly the most important book of the 20th century. Even the full five star rating is not enough!

This is a classic for writers and storytellers and I'm ashamed to say I've only just read it at the age of 56. However, like many profound books, it's a book that means much more when one's ready for it. I'm not sure if I'd read it younger, or at a calm period in my life, that it would have had such an impact, although it's wonderfully researched and beautifully written and would be illuminating on a purely academic level. I read it after going through one of those periods where life throws up one thing after another until it seems more than just coincidence - like some sort of extreme test of one's strength. It helped me to assimilate the experience - recognising the hero's journey in my own, with its entry into dark places, its ordeals, and the eventual emergence with invisible treasure. Looking for the treasure helped me to make meaning from what I had experienced and focus on the positive instead of the negative. Since then I have looked up the myths and started reading some of the books he uses as sources, which is also proving fascinating. It's a book I will read again and again because I know I will find deeper meanings in it with each reading, and it has also given me an insight into the themes of my own life and writing, and sources for stories to tell.

Just started getting into the Joseph Campbell collection, and this is the 2nd book I've read after The Power of Myth, which is a book where he's referencing his collective works. So I guess this is the first proper, in and of itself, book I've read from Campbell and I'm just blown away by such an extraordinary mind. Not just in the sense of the book itself, but his ability to release the extraordinary power of reflective thought within myself and, ultimately, the power within myself to become extraordinary. Myth seems to be a powerful agent, specifically if one is lacking faith. In themselves and in the world. And Campbell unravels the absolute necessity of Myth in the modern world, using supreme historical examples which highlight his points and overall message beautifully. This is one of those books you'd urge anyone to read at least once in their lifetime.

Joseph Campbell's writings have had more influence on late 20th century culture than you might expect: The Hero with a Thousand Faces resonates obviously through Star Wars, The Matrix, The Lord of the Rings and indeed almost any other contemporary Science Fiction work you could mention, and more subtly in any one of hundreds of films and novels of the last half century. Many indeed are the fruit of Campbell's tree. In The Hero With A Thousand Faces Campbell sets out his stall early: his "monomyth" which is explained in fairly short order, and supported in more depth over the rest of the book by Campbell's account of hundreds instantiations of it embodied in myths from the Judaeo-Christian, Classical, Native American, Indian, African, Asian and Polynesian traditions. It is even illustrated, rather pointlessly, with sculptures and depictions of these various myths. This means it's a fairly quick read: it is Campbell's argument that is interesting, not his field research in support of it, and his stentorian and humourless tone in recounting the legends is no incentive to dwell on them. Campbell's main claim - to have extracted a solitary narrative essence common to all mythology - is unsustainable: even if you do allow the tortured interpretations Campbell makes of the myths he cites, the best that can be said is that any one of the dozen or more common features of the "monomyth" tend to show up in his examples (who knows whether they do in the myths he *doesn't* cite?); to say that they all do is false, even on the evidence Campbell presents in his book. And many of his examples don't fit comfortably into the roles which Campbell assigns them. So in that regard, Campbell's thesis needs to be watered down to have any real value. As do the courage of his convictions in the validity of psychoanalysis: treating Freud and Jung as gospel in this day and age seems more than a little quaint. But that's not to say there isn't something to be said for the importance of the subconscious in what makes a good story, nor that the elements of the "monomyth" do appear in mythology, nor that they don't make a great foundation for a mythology. Cogent evidence or that last point is provided by Messrs Wachowski and Lucas, who have openly used Campbell's template to create latter day myths of their - and, like it or not, our - own. Where Campbell is persuasive is that myth a metaphor on which we can examine ourselves, and that as soon as we mistake metaphor for a genuine explanatory hypothesis, its very usefulness evaporates. In the current political climate, this is a point which can't be stressed enough. In summary, this ought to be compulsory reading for any aspiring screenplay writer or novelist, and will be food for thought for anyone else interested in the structure of fiction. The Hero With A Thousand Faces may be the wrong side of fifty now, but it is no relic: as long as the likes of Luke Skywalker and Neo are part of the zeitgeist, Joseph Campbell's theories will have some significance in our culture for better or for worse, for some time to come. Olly Buxton

awesome

The collection of stories deconstructed by Campbell weave together what he calls the mono-myth. The mono-myth is the constituents of elements used to construct the fundamental framework for creation stories, literature in general, and theology. For those who are attempting to navigate through a life filled with tragedy and obstacles learning these symbolic representations may give you the inspiration to continue enduring as you undertake the hero’s journey. This book is cited numerous times in respected literature pertaining to sociology, behavioral psychology, and evolutional psychology. For that reason (among many others) it was a MUST read for me. If you are equally enthusiastic about those subject then this book will certainly keep you captivated throughout. I would definitely place this book as a significant piece of work for understanding the primordial mind (emotional mind. The Elephant to the Rider). •SUMMARY• The book takes us through a journey of stories that have been constructed from behavioral patterned observed by a self-conscience organism, humans. We later assigned significance to those patterns, constructing patterns to them. Those patterns then transcended beyond the representations of specific events and evolve into psychological representations for life at a high-level. Like a tarot card or astrology reading that could be broadly applied to nearly everyone, the symbolic representation in these stories are fluid and relevant differently subject to a particular culture. In the prologue, he suggests that our intrinsic desire to connect with our ancestral spirit (which is the lessons encoding into our mind throughout the mind's evolution) is elemental to the nourishment of the success of survival. •PART 1• The call to action engenders the hero to begin his journey beyond his real of comfort and the constraints of society. The hero is introduced to multiple trials and tribulations along the journey. Once the hero is triumphant he passes the threshold and moves onto a new world of knowledge. Upon the end of his voluntary voyage into the unknown, he must invoke his life changing-boon. “The Keys” commentates how the secular perspective towards mythology catalyzes in the removal of its primary utility which is to episodically represent symbolism. The symbolism is the suggested narrative that we act out to tend towards Peterson’s heaven — for example. •PART 2• Campell cites Jung often, especially his main idea of the collective unconscious construction of archetypes and symbols. These symbols can characterize many things but the common elements consist of fear, hope, good, evil, and other fundamental elements for survival observed and encapsulated by the narrative. Emphasis on both the creator’s sexes aspects is depicted by stories and mythology. The sequence of life from the virgin birth to death; mainly, mortality is a quintessential component needed for the exploratory character to become the hero. During the hero’s journey s/he has the ability to become one of the various options: the warrior, the lover, the emperor/tyrant, the world redeemer, or the saint. There are two types of deaths that mythologies describe, the first is personal (microcosm), and the second is universal(macrocosm). The birth, life, thriving and death/parish.

A must read. I recommend it as a storyteller and as a person who enjoys reading.

Excelente producto 👍🏼

Existem livros que mudam sua perspectiva sobre a maneira como você entende a sua vida. The Hero with a Thousand Faces definitivamente é um deles. Vale muito a pena. Se você lê inglês tranquilamente essa edição é bem melhor que a brasileira, capa dura, diagramação e ilustrações excelentes.